I think that there is a reason that Actors and Directors and whatever end up doing what they do, and writers and script writers end up doing what they do.
I think it’s mainly the mindset of the person in question, when their muse kicks them in the face.
Two people are thinking. They are, for some reason, thinking of a fight scene.
Perhaps those two people are angry at someone for eating their cereal (perhaps even their roommates), or are in a bad mood because of exams and in their inner imagination, imaginary them is kicking imaginary Exam’s ass all across a papery, lead smudged landscape. Either way, one imaginary character is beating up another imaginary character.
Your Muse is one character. There is no choice in this, it is just so.
Sometimes you are in the mindset of your Muse character, YOU are the muse. In imaginary situations like these, you are working with your Muse towards an ultimate creative goal, towards that intensely interesting idea or image that’s been niggling at the back of your mind for a while now. Like the idea to mix Baileys and eggnog, or to go to BulkBarn and buy a lot of wafer sticks and chocolate to try to make a gigantic KitKat bar… The other is some other representation.
Sometimes you are the referee in the fight, or just a spectator. As a referee, you can stop and rewind the match, redo parts if you will. As a spectator you’re letting things go on, rooting for your Muse against this imaginary menace. In this situation you are reviewing ideas you’ve had for a while, pairing them together with other ideas that you’ve had at some point.
Occasionally you are facing your Muse. It is in these situations that it is actually your Muse who initiates this daydream. It is in these situations you wish you hadn’t always imagined your Muse as such a bad-ass. This situation arises when you have been neglecting your Muse, and haven’t been letting the creative juices flowing.
To get these creative juices flowing, your muse will kick you in the face.
Watch as the juices flow.
But back to the two people.
Regardless of what sort of match up this is, these two people see an amazing move, something realistic that looks too cool to NOT be expressed in some way.
So, Person Z starts thinking about how they could possibly imitate that move, how they could possibly train for it. If Person Z has training in some sort of fighting, they will think about the other moves that they could possibly combine to do that move, they will try looking up fake fighting techniques (on Google or YouTube or anything else) to see if they could incorporate anything into pulling this off. They might also then imagine themselves pulling the move off in some sort of dramatic play or something.
Person 26, on the other hand, will think about how they could possibly describe that move. Those combinations of actions. How could they write it in such a way that the reader could fill in any gaps, how could they make it so that it wouldn’t seem stunted or stuttering, choppy? Person 26 will try writing it down to edit later, and/or will try reading or watching something with an action scene in it, to get their mind working in such a way that they will be able to write this action, or actions, in a way that flows. They will try to imagine what kind of plot they could use this in.
To show that I didn’t have any preference between the two, I didn’t name them A and B or 1 and 2 or X and Y or anything else that has a first one and then the other kind of connotation or connection.
Person Z is the actor, and Person 26 is the writer.
While the two may mix (example: John Green [writer] and his sort-of acting on a vlog [Brotherhood 2.0 or vlogbrothers]), your muse will, in some way, prefer to have you try to express the ideas they promote in SOME way, eventually.
I realized this a little earlier, while daydreaming in between studying, and realized that somewhere someone else is probably having a daydream as well, and might be thinking about acting it out instead of writing it out like I was thinking of doing.
I realize that from my title I’m kind of implying that the difference between an actor and a writer is their Muse, but everyone’s Muse is similar. It’s just the way that people use and react to their muses that’s different.
Muses will become lazy, or overactive, or will have a muse crash, or will be suddenly into that genre that you don’t actually like or write or whatever that often, or will be so into a certain thing that you end up blowing off other things to try to get it out of your and your Muses systems…
And I’m not trying to say that your Muse will always show you things via intense fighting, but I am saying that your muse, if you ignore it will kick you in the face.
Ka-POW! The creative juices are now flowing. (you are not the Zebra, you are the lion that just got pwned)
P.S. Update on studying: IT SUCKS! But is getting done. It is the shit hitting the fan in my mind. It’s everywhere.